{"title":"Winterthur Publications","description":"\u003cp\u003eExplore our collection of scholarly books and publications from Winterthur Museum, Garden \u0026amp; Library. Our publications program shares expert research on American decorative arts, material culture, and historic preservation, bringing the depth of our collections and scholarship to readers worldwide.\u003c\/p\u003e\u003cp\u003eFrom exhibition catalogues to in-depth studies of furniture, ceramics, textiles, and garden history, each volume reflects Winterthur's commitment to advancing knowledge and appreciation of American heritage.\u003c\/p\u003e","products":[{"product_id":"abc-a-winterthur-book-for-children","title":"ABC: A Winterthur Book for Children","description":"\u003cp\u003eABC: A Winterthur Book for Children by Lois Stoehr\u003c\/p\u003e\n\u003cp\u003eThis charming alphabet book introduces children to their ABCs through treasures from the Winterthur collection. 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Originally released in 1978, this reissued edition features striking photographs of 491 pieces. Each entry examines the craftsperson, provenance, construction materials, measurements, and design characteristics, while offering expert assessment of the object's artistic significance. Beyond a catalog, the book traces the evolution of furniture craftsmanship during Federal-era America. 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Cooper\u003c\/p\u003e\n\u003cp\u003eThe culmination of Henry Francis du Pont's lifelong vision and passion for collecting, Winterthur Museum houses the premier collection dedicated to American decorative arts. To celebrate the fiftieth anniversary of Winterthur, the National Gallery of Art, Washington, presents an incomparable selection of masterpieces chosen according to the very principles espoused by du Pont himself: rarity, beauty, historical association and provenance. The result, An American Vision, offers a stunning array of the vast riches of this remarkable museum. Born at Winterthur in 1880, H.F. du Pont played an integral part in the rising tide of interest in early American craftsmanship that took hold in the early twentieth century. Over the course of his lifetime, he succeeded in establishing a comprehensive collection that now comprises some 85,000 objects. 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Working initially in the village of Sturbridge, Massachusetts, these artisans fashioned an array of objects that rank among the most colorful and creative of Federal America. Recent scholarship has revealed Lumbard's connection with the cabinetmaker Oliver Wight, from whom he likely learned his trade and gained an understanding of neoclassicism. Careful study of objects linked to Lumbard, Wight, and nearby artisans has produced a framework for identifying their work. 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Adapted from the training materials developed at the museum, the revised and enhanced Early American Decorative Arts, 1620-1860: A Handbook for Interpreters is an indispensable guide for anyone involved with interpretation of decorative arts collections.\u003c\/p\u003e\n\u003cp\u003eEarly American Decorative Arts, 1620-1860 elucidates the principles of public interpretation, explains how to analyze objects, and defines the concept of style. Eighteen chapters provide comprehensive descriptions of decorative arts including furniture, ceramics, textiles, paintings and prints, metalwork, glass, and other objects. Many museums and historic sites display such collections to thousands of visitors annually. 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A German immigrant who worked in Philadelphia between 1809 and 1821, Krimmel was initially influenced by David Wilkie, William Hogarth, and Benjamin West. After revisiting   Europe in 1817-18, he became inspired by German romanticism and found an appreciation for French neoclassical painting. His down-to-earth, slightly jocose, and at times gently moralizing approach to painting successfully linked the neoclassicist's sense of realism and structure with the romantic's dedication to nature and humanity.\u003c\/p\u003e\n\u003cp\u003eIn this authoritative examination, author Anneliese Harding traces the development of the artist through his sketchbook images and finished oil paintings. Seven sketchbooks now in the library at Winterthur contain about seven hundred separate drawings, ranging from quick pencil sketches to finished watercolor pictures, and are the key to reconstructing Krimmel's conceptual processes. 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